01 April, 2026

The Reverend Will the Thrill Presents the Film of the Week! (One From the Vault!)

I wrote and posted this to Facebook on 30 March of 2024, partially to commemorate Easter weekend which is coming up again.  Bring on the pickled eggs and beets!

 

I've never made any secret of the fact that, in spite of my "Reverend Will the Thrill" moniker, my sense of spirituality is hardly what one would call "orthodox."  I don't regularly attend church services, I don't necessarily identify myself with any religious labels (aside from maybe "lapsed Mennonite," "Methonite," or "Dudeist Priest," although I don't use them with any kind of regularity), and I do tend to look at organized religion as a whole with an extraordinarily sarcastic and irreverent attitude.  How sarcastic and irreverent, you may ask?  Let me put it this way:  I was once stopped at a stoplight and I saw a bumper sticker on the car in front of me that read ,"Try Jesus."  I gave it some serious thought, but then I realized that the Romans beat me to it.  And while no offense was intended in that statement, I'm sure that someone reading this probably took offense to it--especially this weekend.  On the flip side, I'm sure that even more people reading it found it funny.  And I'm pretty sure that a number of people reading it laughed and then wondered if they should.

And this is part of my problem--so many people take their religion so seriously that they get offended if someone else has a different viewpoint--or even a sense of humour.  It's as if laughing at it is a hell-worthy trespass (to borrow a line from this week's film)--which really sucks because I can't control what I find funny.  And I find a lot of humour in people who get offended easily--especially over something as intangible as religion or spirituality.

As I've said in the past, I find a deep sense of spirituality in popular culture, specifically movies and music.  This really started for me as a junior in high school.  My English teacher asked us to give a report on the last movie we had watched.  Not surprisingly in any way, shape, or form (especially in 1990), the last film I had watched was the 1980 hit The Blues Brothers.  In my report, I went into this whole line of BS about all the religious symbolism I detected in the film and how spiritual I felt the film was.  Initially I did this partly because I didn't know what to say ("I really liked this film" isn't exactly much of a report), and partly to tweak my English teacher whom I strongly suspected thought she was really teaching Sunday School.  And while I doubt that Dan Aykroyd had any of that in mind when he wrote the film, as time progressed, I actually started to believe my own line of BS.  To this day, I still consider it one of the most spiritually uplifting movies I've ever seen.

Fun fact--in 2010, when The Blues Brothers was celebrating its thirtieth anniversary, the Catholic Church endorsed the film as being appropriate for all Catholics, in spite of its R rating.  I figure when the Catholic Church essentially agrees with something I had said twenty years earlier, either I'm a visionary who's way ahead of my time, or it may just be a sign of the apocalypse.  Too bad they weren't as open to this week's film.

Unlike The Blues Brothers, I feel that this film is designed, perhaps unintentionally, to make the viewer challenge their own beliefs and ask why we believe the things we believe.  Since its initial release twenty-five years ago, I've often revisited this film because it not only restores my sense of faith in... something, but it's also highly entertaining, both because of its substance as well as the controversy that surrounded it.

When it was released in 1999, Catholic organizations protested.  There were even a couple of death threats against the writer/director.  The irony is that the writer/director, Kevin Smith, identified (and I assume still does) as a practicing Catholic.  He even thanked God in the closing credits as well as his infant daughter, "for giving me the opportunity to raise my own little Catholic."  Apparently, since no one at the time recognized him, he even joined the protests, which just shows how much of a sense of humour he has about it.  My personal favourite story involved William Donohue of the Catholic League.  He railed against the film for months without actually seeing it.  When he approached the filmmakers about setting up a special screening so he could "speak about it intelligently," Smith said "So what has he been doing for the past six months?"

If you're not familiar with the plot, fallen angels Loki and Bartleby (played by Matt Damon and Ben Affleck) are clued into a loophole in Catholic dogma that would allow them to re-enter Heaven.  The problem with this plan is that it would prove God wrong and since God is supposed to be infallible, proving him/her/whatever/whomever wrong would destroy the entire universe.  A seraphim named Metatron, who acts as the voice of God (played by the late, great Alan Rickman), charges an abortion clinic worker named Bethany (Linda Fiorentino) with a "holy crusade" to stop the angels from carrying out their plan.  Along the way, she receives guidance and assistance from two "prophets" (Jason Mewes and Kevin Smith in their recurring roles of Jay and Silent Bob), the thirteenth apostle Rufus (Chris Rock), and a muse named Serendipity (Salma Hayek).  The cast also includes Jason Lee as the demon Azrael and--in what is perhaps the most inspired casting choice in the history of cinema--Geoge Carlin (who, in real life, was an atheist) as a Catholic Cardinal.

Possibly in anticipation of controversy from his own tribe, Smith put a disclaimer at the beginning of the movie stating that it is a "work of comedic fantasy, not to be taken seriously."  And, for the most part, I don't.  But there's a lot in this film I find quite moving, especially as someone who doesn't identify with any "traditional" sense of religion or faith, Catholic or otherwise.  Aside from Rufus's ruminations on the difference between beliefs and ideas, I really responded to something Serendipity tells Bethany with regards to faith and who has the right answers.  She said, "It's not about who's right or wrong.  No denomination's nailed it yet because they're all too self-righteous to realize that it doesn't matter what you have faith in--just that you have faith.  Your hearts are in the right place, but your brains gotta wake up."  Sometimes, I wish we could all be that enlightened.

So this Easter weekend, as a reaffirmation of faith and good ideas, I recommend the movie Dogma.

Until next week, stay safe, be good to your neighbours, and please remember that if at first you don't succeed, then skydiving definitely isn't for you.

Yours in peace, love, and rock and roll!
The Reverend Will the Thrill
 
 

The Reverend Will the Thrill Presents the Album of the Week! (One From the Vault!)

 Hi there!  I'm still recovering from my recent surgery.  Rather stiff today--some of those exercises are painful!  Since it's been a couple of weeks, I thought I'd share something I stumbled upon that I originally posted exclusively to Facebook on 1 April, 2023.  The concept still fascinates me to this day--and I still have the same paranoia I express at the end of the "sermon".  Sadly, in that time, Brad has retired his blog.  Please enjoy, nonetheless.

 

"Footloose.  Pet goose.  Picked a fight with a moose.  Cheese.  Stiff breeze.  Look out there are ten bees!"
--new and improved lyrics to an '80s classic that I was never really fond of to begin with

This week's sermon was inspired in part by a conversation I had with my friend Brad Pickens to whom I've referred in past ramblings.  Brad is an Episcopalian minister in Michigan.  We've known each other for at least (wow!) 35 years.  Like me, he also writes a weekly missive (that can be read at thepriceofacorns.com--this is his busy season at his day job, so he hasn't written anything in a few weeks).  Back in January, he wrote about mondegreens, the technical term for misheard song lyrics.  For years, he had been quite taken with a lyric from a popular song that got a lot of radio play when we were younger and he had to take afternoon naps.  After, apparently only recently, discovering what the song was (the 1983 classic "Islands in the Stream" by Kenny Rogers and Dolly Parton), he realized that one line of the song was not what he understood it to be as a child, hearing it on the radio when he was supposed to be napping.  Brad had what I thought was a profound observation.  He wrote, "Here's the thing.  I'm a lot happier with my version of my naptimesong and it's the one I'm going to keep with its strange places and mystic inhabitants.  Islands only exist in relational stuckness to one another.  Better to have even a passing connection through worlds where you see the stranger and recognize yourself in their strangeness.  That's how blank spots become the middle of everything once we learn to recognize shared humanity wherever we go.  And besides that, it was about the same time that I found a record that had songs by Marty Robbins, Johnny Cash, Willie Horton, and Dolly on her own and there's no need to go back to Kenny after that."   I'll post the link to his thoughts in the comments section if you would like more insight than I can provide here.

Many years ago, sportscasting legend Bob Costas had a late night talk show called "Later" on NBC that aired after Carson and Letterman (just to give you some idea about how long ago this was).  Unlike his lead-ins, he typically only featured one guest per episode which, if nothing else, made for a more in-depth interview.  It was actually a very good program and it was nice to know that Costas could intelligently carry on a conversation about something other than sports.  One night, he interviewed Paul McCartney.  Sir Paul told him about the first time the Beatles met Bob Dylan.  They were backstage rehearsing.  During a run-through of "I Want to Hold Your Hand," Dylan was surprised by the line "It's such a feeling that, my love/I can't hide, I can't hide, I can't hiiiiide!"  He apparently said to them, "Oh, man, I thought that was 'I get high, I get high, I get high.'"  Some time later, Costas was interviewing John Mellencamp and related that story to him.  Mellencamp said, "Well that's what I always thought it was."  Guess what?  That's what I always thought it was too!

I have always been fascinated by mondegreens.  I actually have a book of them titled Scuze Me While Kiss This Guy (there are a couple of sequels as well, the only one of which I remember is He's Got the Whole World in His Pants).  For thirty years, I thought Hall & Oates sang "Private eyes know what to do."  When the song was originally released, this made perfect sense to my then seven-year-old brain.  Every private detective I saw from Jim Rockford to Thomas Magnum, and later Remington Steele seemed to know what to do.  In the early 2010s, the cast of the television series "Psych" (which was about a private detective who pretends to be psychic but just has a photographic memory and an obsession with '80s pop culture, particularly John Hughes films), advertised their upcoming season by recreating the video to "Private Eyes."  It was only then I discovered, much to my surprise, that "Private eyes ARE WATCHING YOU," which is considerably creepier than my version when I stop to think about it.  What's weird is that on the off-chance I hear the song today and catch myself singing along, I still sing it incorrectly, more out of muscle memory than an aversion to the correct lyrics.  Perhaps, like Brad, I'm a lot happier with my version.  Perhaps I may just stick with it.

I'm also going to throw this philosophical quandary out there:  is it actually a mondegreen if it's a homophone?  Phonetically speaking it is still being sung correctly, even if the person singing it has a completely incorrect interpretation of the lyrics in their head.  For example, in the cowboy classic "Tumbling Tumbleweeds" (specifically Gene Autry's recording), it took me a moment or three to realize that he sang "I'm a roamin' cowboy."  When I first heard it, I thought he said "I'm a Roman cowboy."  I immediately had a vision of Julius Caesar on horseback with spurs on his sandals, a six-shooter in a holster tied around his toga, and a laurel wreath around the crown of a ten-gallon hat... perhaps even twirling a lasso.  I still want to see someone carve this out of marble.  Of course this also begs the question, how do you say "Whoopy-ti-yi-yay" in Latin?

I've known since I read Brad's reflections that this was fodder for one of my own weekly rants and that I would be doing this sometime in the near future--I was kind of leaning toward some CCR because John Fogerty has never been the most coherent singer)--but a bizarre event happened this week.  Suddenly and quite inexplicably I got Dean Martin's hit "That's Amore" stuck in my head.  Looking back on it, I suppose it's not completely inexplicable--after all, I did watch Moonstruck a few days earlier which features the song over both the opening and closing credits.  But that's not the weird part.  The weird part is that, for some reason, my brain wanted to sing one word in the song incorrectly.  And I don't know why.  I've always known what the correct lyric is.  I've never misheard it before.  In fact, it played on the drive home from work a few weeks ago and when I was singing along, I sang it correctly.  Not only did my brain want to sing it wrong, but it also wanted to give it a northern Indiana twist which was, needless to say, highly amusing.  And now I'm worried that every time I hear it I'm going to inadvertently sing, "Scusami, but you see, back in old Nappanee, that's amore!"  Because, really, what's so romantic about Napoli (Naples), Italy, anyway?

So this week please enjoy the one and only Dean Martin with his first album for Capitol Records, 1953's Dean Martin Sings.

Until next week, stay safe, be good to your neighbours, and don't go 'round tonight, it's bound to take your life, there's a bathroom on the right.

Yours in peace, love, and rock and roll!
The Reverend Will the Thrill 
(a.k.a. "The April Fool")