07 February, 2026

The Reverend Will the Thrill Presents the Film of the Week!

Even at my age, sometimes, you just have to indulge your inner child.  There are a handful of things that I've never outgrown.  One of them is the art form known as animation.  I've always loved cartoons.  When I was a kid (and this really shows my age), there were only three television networks and on Saturday mornings all of them showed animated programs aimed at kids who had the weekends away from school.  Although I experimented with other networks from time to time, I always had a special place in my heart for CBS because in the late 1970s and early 1980s, for an hour and a half each Saturday, they would broadcast old Warner Brothers cartoons.  They were essentially introduced to me by my dad who would get up with me and watch them as well--he always had a fondness for the Road Runner.

(SPECIAL NOTE:  It's important to remember that these animated shorts were originally shown in theaters just before Warner Brothers feature films.  In a documentary I once saw about Warner Brothers animation, one of the directors at the famed "Termite Terrace" animation studio--and, sadly, I forget which director--said that Looney Tunes and Merrie Melodies were never intended for children.  He said that they made them to amuse themselves.  If nothing else, this reinforces a long-held theory of mine that when someone does something creative, it's done primarily for that very purpose.)

Today, it's easy to get sentimental about it as it was one of those father/son activities that I look back on with fondness, like playing chess or going to the movies.  But at the same time, it instilled in me a fascination with animation that persists to this day.  And even though I've read about and researched and watched all sorts of cartoons ranging from Walt Disney and Hayao Miyazaki to Seth MscFarlane and Matt Groening, the classic Looney Tunes and Merrie Melodies will forever be my favourites.  I've always said that Bugs Bunny is a personal hero of mine, which I know sounds weird, but it's absolutely true.  Bugs represents the charming, dashing smart-ass that I long to be in life.  In reality, sadly, I'm probably more like Daffy Duck, but Bugs still remains aspirational.  (For more on this, you can read what I wrote three years ago and re-posted on this blog last August.)

When I first saw the trailer to this week's film, I got super excited.  When it was released in November of 2003, I was there opening night.  My mother was living with me at the time (like so much in my life--long story), and I dragged her to the theater with me.  In hindsight, it was kind of gracious of her to go along because she never particularly liked cartoons.  The theater was packed--admittedly, most of them were there to see the Russell Crowe film Master and Commander: The Far Side of the World, which just happened to open the same day.  I'll always remember that after the movie, as we were leaving the theater, Mom witnessed some guy do something really stupid.  I didn't see it, but I presume he was trying to impress some woman.  She looked at me and asked if men ever grow up.  I said, "You're asking this of a man who's almost 30 years old and just took you to see a movie because Bugs Bunny was in it.  What do you think?"

And while it may not be the most fondly remembered Looney Tunes adventure, I still revisit it from time to time and it always puts a smile on my face.  Like it's predecessor, 1996's Space Jam, this film combined both animation and live action.  In the film, Brendan Fraser plays DJ Drake, a security guard at Warner Brothers who wants to be a stunt performer.  He also wants desperately to make it on his own and get out of the shadow of his father, superspy action star Damien Drake (Timothy Dalton spoofing his James Bond image).  After getting fired from his job by studio exec Kate Houghton (Jenna Elfman), DJ--now being essentially stalked by the also recently-fired Daffy Duck--receives a message from Damien who turns out to actually be a superspy who's been captured whilst on a mission to find the elusive diamond known as the Blue Monkey before it falls into the hands of the evil head of the Acme corporation (Steve Martin).  Written by Larry Doyle, directed by Joe Dante, and featuring appearances by Heather Locklear, Joan Cusack, Matthew Lillard, Jeff Gordon, Roger Corman, and Ron Perlman, please enjoy Looney Tunes: Back in Action.

Until next week, stay safe, be good to your neighbours, and please remember that if you don't find a rabbit with lipstick amusin', you and I have nuttin' to say to each other.

Yours in peace, love, and rock 'n' roll!
The Reverend Will the Thrill
 

 

The Reverend Will the Thrill Presents the Album of the Week!

I almost submitted this album in 2025.  It was one of my favourites of the year.  But ultimately there are only so many weeks in the year.

I've been a fan of Jon Batiste for about ten years now.  Like most of his fans who are not from New Orleans--I am, after all, only from Orleans--I first heard of him as the leader of the band Stay Human, the house band on "The Late Show with Stephen Colbert."  Even watching him as the show went to, or came back from, its commercial breaks, he brought an infectious energy to his performances that is hard not to smile at.

I finally broke down and bought his 2021 album We Are.  While the album was not a barnstorming bestseller (like many of the albums in my collection), it strangely went on to win four Grammy Awards in 2022--Best American Roots Song and Best American Roots Performance for the song "Cry," Best Music Video for the song "Freedom," and the big one... Album of the Year.  Having won an Oscar with Nine Inch Nails for their score for the movie Soul, Batiste's career seemed to be going nowhere but up.  He felt it was time to move on.

He soon left Colbert and Stay Human (which has since been renamed The Late Show Band led by guitarist Louis Cato), married writer and motivational speaker Suleika Jaouad, and released three more albums, all of which exude that infectious energy that I so admire.  His latest is no exception.  It's upbeat, joyous, and makes me want to dance.  Personally, I think we need more energy like that in the world.  We need more Jon Batistes.  So I feel it's an obligation, even a duty, to share it with you here and now.  Featuring guest appearances by Andra Day, No ID, and the great Randy Newman (who made it worth the price of the album for me) along with a return apparance by Batiste's music curating alter ego Billy Bob Bo Bob, please enjoy BIG MONEY.

Until next week, stay safe, be good to your neighbours, and please remember that if at first you don't succeed, then skydiving definitely isn't for you.

Yours in peace, love, and rock 'n' roll!
The Reverend Will the Thrill